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exhibition view, To increase on return, Galerie Martin Mertens, Berlin, 2009.
Left The pebble (after Magritte) (2008-2009), right Words used to describe (2008)
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exhibition view, To increase on return, Galerie Martin Mertens, Berlin, 2009.
Left Glance (2009), right Elemental painting (2008-2009)
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exhibition view, To increase on return, Galerie Martin Mertens, Berlin, 2009.
Left The menu (2008-2009), right Nude; semi; detail. (2008)
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exhibition view, GLIMPSE; GLANCE; GLIMMER: NUDE; SEMI; DETAIL. VOUS ETES ICI, 2009
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exhibition view, GLIMPSE; GLANCE; GLIMMER: NUDE; SEMI; DETAIL. VOUS ETES ICI, 2009
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exhibition view, GLIMPSE; GLANCE; GLIMMER: NUDE; SEMI; DETAIL. VOUS ETES ICI, 2009
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Galerie Christian Roellin, G27 Zürich, 2009
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Galerie Christian Roellin, G27 Zürich, 2009
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Galerie Christian Roellin, G27 Zürich, 2009
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Exhibition view of "Rattlebag", Galerie Christian Roellin, St Gallen, 2008
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Exhibition view of "Rattlebag", Galerie Christian Roellin, St Gallen, 2008
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Exhibition view of On the status of the glass of water at its halfway mark at VOUS ETES ICI, Amsterdam, 2007.
On the left No light on at your window, 2006-07 (private collection, Amsterdam) and right, (For the) time being, 2007
(private collection, Amsterdam).
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Exhibition view of On the status of the glass of water at its halfway mark at VOUS ETES ICI, Amsterdam, 2007.
And you know that kettle I was watching – it did boil, 2006-07.
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Exhibition view of On the status of the glass of water at its halfway mark at VOUS ETES ICI, Amsterdam, 2007.
And you know that kettle I was watching never did boil, 2006-07 (private collection, Amsterdam).
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Exhibition view of On the status of the glass of water at its halfway mark at VOUS ETES ICI, Amsterdam, 2007.
Left, Even if it does fall on you and right, A laughing clown (and we all know what they do, don’t we kids?),
both
2006-07.
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Exhibition view of On the status of the glass of water at its halfway mark at VOUS ETES ICI, Amsterdam, 2007.
On the left And you know that kettle I was watching – it did boil and right, And you know that kettle I was watching never did boil, both 2006-07.
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Exhibition view of Barely flowers, amongst others at VOUS ETES ICI, Amsterdam 2005, from left to right,
Barely a flower #3 (private collection New York), Barely a flower #2 (private collection
UAE), (Like) salvation (2004) (collection Mondstudio)
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Exhibition view of Barely flowers, amongst others at VOUS ETES ICI, Amsterdam 2005, from left to right,
(Like) salvation (2004) (collection Mondstudio), Uncoiled on
familiar ground.
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Exhibition view of Barely flowers, amongst others at VOUS ETES ICI, Amsterdam 2005, from left to right,
(Like) salvation (2004) (collection Mondstudio), Uncoiled on
familiar ground, Late winter (collection Mondstudio).
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Exhibition Later on we shall simplify things
at Stadsgalerij Heerlen, 2005. Left, A small boy looking out
(2003) and right Untitled by Han Schuil, 2004.
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Exhibition Later on we shall simplify things
at Stadsgalerij Heerlen, 2005. Left, A glass of you (private collection Amsterdam ) and right,
Girl on a beach, both 2005.
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Exhibition Later on we shall simplify things
at Stadsgalerij Heerlen, 2005. Left, Turns out (something of this
and that) (2003) and right part of wall "work #146"
by Jan van der Ploeg.
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Exhibition Barely flowers, amongst others at
VOUS ETES ICI, Amsterdam 2005. Left, Painting of a song (S.Y./L.R.)
(private collection Amsterdam) and right, I missed you (private collection, UAE), both 2005.
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Exhibition at Galerie Andreas Binder, Munich 2004.
Left, In parenthesis (private collection USA) and right Man
in shades,
both 2003.
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Exhibition at Galerie Andreas Binder, Munich 2004.
Left, Without breaking anything (private collection USA) and
right,
Girl in a strong light, both 2003.
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Exhibition at Galerie Andreas Binder, Munich 2004.
Left, It will all depend on yr take (private collection, USA)
and right
Without breaking anything (private collection USA), both 2003.
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Exhibition at Galerie Andreas Binder, Munich 2004.
Left, Man in shades and right, It will all depend on yr
take (private collection, USA), both 2003.
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Exhibition Paintbox Extensions, Copenhagan 2003.
From left to right, Turns out (something of this and that),
A small boy looking out, Apostrophe (after L'c.), Crepiscular,
all 2003.
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Exhibition memo.: at Galerie Markus Richter
2002. Left to right, Girl with camera (private collection,
Potsdam),
Man with eyes wide, Okay, specifics on the general idea,
all 2001.
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Exhibition memo.: at Galerie Markus Richter
2002. Left Ages of you (private collection, Berlin) and right
Glitch (good),
both 2001.
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Exhibition Phew! at Galerie Markus Richter 2000.
From left to right, God, it's such a big blackgolden bunch!,
Champion, I don't know what it means (private collection
Berlin), all 2000
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Exhibition Phew! at Galerie Markus Richter 2000.
From left to right Collateral damage, Pull yr hand (private
collection),
What about the meta? (private collection, Berlin), all 2000.
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Exhibition Phew! at Galerie Markus Richter 2000.
From left to right Wot's de meta (second ridiculous painting with
an accent), Something like this (private collection),
Pull yr hand (private collection), What about the meta?
(private collection, Berlin), all 2000.
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Exhibition Phew! at Galerie Markus Richter 2000.
Left, God, it's such a big blackgolden bunch! and right,
Get to shoot yr gun (collection Wiesmann, Potsdam), both 2000.
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Exhibition Wasted/Holes at Galerie Markus Richter,
Potsdam 1999. From left to right Sonnet (1997) (private collection
Berlin),
Diving for pearls (1998), Shantih, shantih,
shantih (the gift) (1998) (collection König, Potsdam).
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Exhibition Construction-Deconstruction at Galerie
Markus Richter, Po 1997.
Left, Tune into paradise on the longwave (1997) (private collection)
and right, Voice (for J.B.) (1997)
(collection Stichting Ecliptica).
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Exhibition Construction-Deconstruction at Galerie
Markus Richter, Potsdam 1997 showing Voice (for J.B.) (1997)
(collection Stichting Ecliptica).
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Exhibition Construction-Deconstruction at Galerie
Markus Richter, Potsdam 1997.
Left, Allegory painting (R.V.) (1997) (private collection Amsterdam)
and right, Drink smoke and stick it in (1997) (private collection
Amsterdam)
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