2017-2020

It’s been a lovely day
acrylic paint and varnish on canvas
2020
200 x 270cm
This is how it was explained
acrylic paint and varnish on canvas
2020
200 x 270cm
At both ends of a thread that holds us here (without breaking anything)
acrylic paint and varnish on linen
2020
170 x 553cm
Damiel and Marion
2019
acrylic on canvas
210 x 237cm (diptych)
Or which I cannot touch
2018, acrylic on linen, 200 x 150 cm
How the flying fish explained it
2018, acrylic on linen, 200 x 150 cm
The yes of yes
2018, acrylic on linen, 200 x 150 cm
Something beautiful on it
2019, acrylic on linen, 200 x 150 cm

Love song
2018, acrylic on linen, 70 x 95 cm
Collection Akzo Nobel Art Foundation

Re: muse

2019, acrylic on linen, 90 x 130 cm

(Love)song(painting)

2019, acrylic on linen, 70 x 100 cm
private collection, Amsterdam

For how long can you hold your breath like that?
2018, acrylic on linen, 200 x 150 cm

Private collection, Wassenaar

When I’m humming to myself, I’m singing out loud to you
2017, acrylic on linen, 200 x 150cm

(I have stepped down from) many trains
2018, acrylic on linen, 200 x 150cm
private collection, New Jersey, USA

I wish this was a song
2017, acrylic on linen, 215 x 160cm

Lou explains ‘hiraeth’
2018, acrylic on linen, 200 x 150cm

(That tender) song. (Emily’s painting)
2017, 200 x 270cm, acrylic on linen

What it may weigh
2017, 60 x 80cm, acrylic on linen
private collection, Amsterdam

(“Pink rabbits”)
2017, 160 x 215cm, acrylic on linen

I can hear your laughter through your walls
2017, 70 x 95cm, acrylic on linen

Alive
2017, 75 x 100cm, acrylic on linen

Think back to that first flawless moment (bigger than a sail, smaller than a wing)
2017, 200 x 270cm, acrylic on linen

She said that underneath their jackets she’d seen wings
2017, 60 x 85cm, acrylic on linen

Gather (for EB),
2017, 200 x 150cm, acrylic on linen

The pitch trim indicator is set to ‘on’
2017, 60 x 90cm, acrylic on linen

That first flawless moment
2017, 75 x 100cm, acrylic on linen
private collection, Amsterdam

Yet there, there on the other shore
2017, 60 x 90cm, acrylic on linen
Collection Sarah Nataly, UK

The onanist
2017, 50 x 75cm, acrylic on linen
private collection, Amsterdam

I keep crying (“steam of the train is part of the eye that leads the engine”)
2017, 50 x 65cm, acrylic on linen